| 000 | 01765cam^a2200337ii^4500 | ||
|---|---|---|---|
| 001 | UDM01000090033 | ||
| 003 | UDM | ||
| 005 | 20210601204904.0 | ||
| 008 | 030815s1975^^^^nyuaf^^^^b^^^^00110^eng^^ | ||
| 020 | _a0525473777 | ||
| 040 |
_aDLC _cDLC _dUN@ |
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| 082 | 0 | 4 |
_a709.04 _bS959s 1975 |
| 245 | 1 | 0 |
_aSuper realism : _ba critical anthology / _cedited by Gregory Battcock. |
| 264 | 3 | 1 |
_aNew York : _bDutton, _c1975. |
| 300 |
_axxx, 322 páginas : _bilustraciones |
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| 336 |
_atexto _btxt _2rdacontent |
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| 337 |
_ano mediado _bn _2rdamedia |
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| 338 |
_avolumen _bnc _2rdacarrier |
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| 504 | _aIncluye bibliografía. | ||
| 505 | 0 | _aWhat is super realism?: Henry, G. The real thing. Karp, I. Rent is the only reality; or, The hotel instead of the hymns. Marandel, J. P. The deductive image. Nemser, C. The closeup vision. Nochlin, L. Some women realists.--Theory and criticism: Chase, L. Existential vs. humanist realism. Levin, K. The ersatz object. Nochlin, L. Realism now. Raymond, H. D. Beyond freedom, dignity, and ridicule. Rosenberg, H. Reality again.--The artists: Dyckes, W. The photo as subject. Henry, G. The silk purse of high-style interior decoration. Levin K. Malcolm Morley, post-style illusionism. Masheck, J. Verist sculpture, Hanson and De Andrea. Swenson, G. R. Paint, flesh, Vesuvius. Truewoman, H. Realism in drag. Baron, J. van. The grand style.--Gallery of artworks (p. [237]-[319]). | |
| 650 | 1 | 4 |
_91510 _aArte moderno _ySiglo XX. |
| 650 | 1 | 4 |
_975914 _aFoto-realismo. |
| 700 | 1 |
_9119289 _aBattcock, Gregory, _d1937- . _eautor |
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| 942 |
_2ddc _cGEN |
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| 991 |
_aX0 _bUN@ |
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| 997 |
_aHZ _b00 _c20140722 _lUDM01 _h1019 |
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| 998 |
_aBATCH-UPD _b00 _c20150424 _lUDM01 _h0246 |
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| 999 |
_c79619 _d79619 |
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| 900 | _aART | ||