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001 ocm33340554
003 OCoLC
005 20250404153309.0
008 950320s1994 enka bc 001 0 eng
010 _a 95128901
040 _aDLC
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035 _a(OCoLC)33340554
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060 0 _aN7279.A75
_bA4 1994
080 _a75(569)ARI
080 _a7 ARIK THO
082 0 0 _a759.95694
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084 _a21.00
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084 _aJ231
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084 _aK833.825.72
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086 0 _aART MX 58.41 ARI
049 _aUN@A
100 1 _aThomson, Duncan.
245 1 0 _aArikha /
_cDuncan Thomson.
260 _aLondon :
_bPhaidon Press,
_c1994.
300 _a255 páginas :
_bcolor ilustraciones ;
_c30 cm
336 _atexto
_btxt
_2rdacontent
337 _asin mediación
_bn
_2rdamedia
338 _avolumen
_bnc
_2rdacarrier
504 _aIncluye bibliografía (páginas 246-251) e índice .
520 1 _a"Avigdor Arikha is one of the most independent-minded artists of our time. In 1965 at the height of a successful career as an abstract painter in Paris and New York he suddenly stopped painting to return to drawing from life in order to assuage a 'violent hunger in the eye' released by his experience of the great Caravaggio exhibition of that year. When he returned to painting in 1973 it was to begin on the series of intensely observed portraits, nudes and still lifes for which he is now known world wide. His intimate still lifes include such 'local' subjects as a bundle of asparagus, a corner of his Paris studio and the books on his library shelves. His portraits range from informal studies of his close friends the playwright Samuel Beckett and the photographer Henri Cartier-Bresson to striking portrayals of public figures, among them the former British Prime Minister Lord Home and the Queen Mother. This book, based on interviews with the artist, surveys Arikha's entire career and shows his work from the drawings he made as a child in a Nazi concentration camp to the passionately observed and beautifully composed paintings of the last five years. Arikha divides his time between Paris and Jerusalem."--Jacket.
505 0 0 _tIntroducing Arikha --
_tFrom Deportation to the Promised Land --
_tPalestine and Israel --
_tParis --
_tThe Moment of Truth --
_tInto Another Intensity.
540 _aBritish Library not licensed to copy
_c0.
_5Uk
600 1 0 _aArikha, Avigdor,
_d1929-2010
_xCriticism and interpretation.
600 1 0 _aArikha, Avigdor,
_d1929-2010
_vCatalogs.
600 1 4 _aArikha, Avigdor,
_d1929-2010.
600 1 6 _aArikha, Avigdor,
_d1929-
_xCritique et interprétation.
600 1 6 _aArikha, Avigdor,
_d1929-
_vCatalogues.
600 1 7 _aArikha, Avigdor,
_d1929-2010
_2fast
_1https://id.oclc.org/worldcat/entity/E39PBJf8xWFdGkygP3v3Vbbw4q
_0(OCoLC)fst01752789
650 1 7 _aSchilderijen.
_2gtt
600 1 7 _aArikha, Avigdor,
_d1929-2010
_2nli
650 7 _aPainters
_zIsrael
_vBiography
_2nli
600 1 7 _aArikha, Avigdor,
_d(1929- )
_xCritique et interprétation.
_2ram
653 0 _aPainters
655 7 _aCatalogs
_2fast
_0(OCoLC)fst01423692
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
776 0 8 _iOnline version:
_aThomson, Duncan.
_tArikha.
_dLondon : Phaidon Press, 1994
_w(OCoLC)605058345
938 _aBaker & Taylor
_bBKTY
_c49.95
_d37.46
_i0714830100
_n0002455049
_sactive
938 _aBrodart
_bBROD
_n46522034
_c$55.00
938 _aBaker and Taylor
_bBTCP
_n95128901
938 _aYBP Library Services
_bYANK
_n593875
991 _aBC
_bLiliana Araujo
_cPR25-1
_d Donativo Guillermo Sepulveda
_ecaja 217
994 _aC0
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999 _c172112
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