| 000 | 03111cam a2200481 i 4500 | ||
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| 001 | GVRL56RA | ||
| 003 | MiFhGG | ||
| 005 | 20250303081329.0 | ||
| 006 | m o d | ||
| 007 | cr un ---uuuua | ||
| 008 | 210911s2022 inua ob 001 0 eng d | ||
| 020 |
_a9780253059765 _q(electronic book) |
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| 020 |
_z9780253059741 _q(hardback) |
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| 020 |
_z9780253059758 _q(paperback) |
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| 035 | _a(OCoLC)1273425775 | ||
| 040 |
_aMiFhGG _beng _cMiFhGG _erda _epn |
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| 082 | 0 | 0 |
_a791.43095 _223 |
| 245 | 0 | 0 |
_aTheorizing colonial cinema : _breframing production, circulation, and consumption of film in Asia / _cedited by Nayoung Aimee Kwon, Takushi Odagiri, and Moonim Baek. |
| 264 | 1 |
_aBloomington, Indiana : _bIndiana University Press, _c[2022] |
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| 300 |
_a1 recurso en línea (ix, 291 páginas ) : _billustrations. |
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| 336 |
_atexto _btxt _2rdacontent |
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| 337 |
_acomputadora _bc _2rdamedia |
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| 338 |
_arecurso en línea _bcr _2rdacarrier |
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| 490 | 1 | _aNew directions in national cinemas | |
| 490 | 0 | _aGale eBooks | |
| 504 | _aIncluye bibliografía e índice. | ||
| 505 | 0 | _aOn romanization, naming, and translation -- Time, race, and the asynchronous in the colonial documentaries of Malaya / Nadine Chan -- Facing malcontent colonial Korean comrades : a typology of colonial cinema in Asia's socialist alliances / Moonim Baek -- Colonial-era film theory, spectatorship, and the problem of internalization / Aaron Gerow -- Chinese cinema's other : wrangling over "China-humiliating" films (ruHua pian) / Yiman Wang -- World export : melodramas of colonial conquest / Jane M. Gaines -- Tarzan/Taishan and other orphans : Taiwan's melodrama of decolonization / Zhang Zhen -- What is an auteur? Hŏ Yŏng/Hinatsu EitaroÌ„/Huyung between (post)colonial Indonesia, Japan, and Korea / Thomas Barker and Nikki J. Y. Lee -- Cinema's coloniality / Takushi Odagiri -- A hallucinatory history of the Philippine-American War : Khavn's Balangiga : howling wilderness / JoseÌ B. Capino -- Millennial vengeance : Park Chan-Wook's Agassi (The Handmaiden) and the return of postcolonial Japonisme / Nayoung Aimee Kwon. | |
| 520 | _aThis book provides a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. | ||
| 588 | _aDescription based on print version record. | ||
| 650 | 0 |
_aMotion pictures _zAsia _xHistory. |
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| 650 | 0 | _aImperialism in motion pictures. | |
| 650 | 0 |
_aColonies _zAsia _xCivilization. |
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| 700 | 1 |
_aKwon, Nayoung Aimee, _eeditor. |
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| 700 | 1 |
_aOdagiri, Takushi, _eeditor. |
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| 700 | 1 |
_aBaek, Moonim, _eeditor. |
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| 710 | 2 | _aGale (Firm) | |
| 776 | 0 | 8 |
_iPrint version: _tTheorizing colonial cinema. _dBloomington, Indiana : Indiana University Press, [2022] _z9780253059741 _w(DLC) 2021031447 |
| 830 | 0 | _aNew directions in national cinemas. | |
| 856 | 4 | 0 |
_uhttps://link.gale.com/apps/pub/56RA/GVRL?sid=gale_marc&u=udem _zAvailable via Gale eBooks. Click here to access |
| 912 | _a56RA | ||
| 991 |
_a BC _bElsa Cortes _c PR25-1 _d Gale |
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| 999 |
_c170626 _d170626 |
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