| 000 | 03326cam a2200517Ma 4500 | ||
|---|---|---|---|
| 001 | on1142366854 | ||
| 003 | OCoLC | ||
| 005 | 20230914083156.0 | ||
| 006 | m o d | ||
| 007 | cr |||||nn|n|| | ||
| 008 | 230914s1999 ncu o 000 0 eng d | ||
| 010 | _z 98046549 | ||
| 020 | _a9780822396680 | ||
| 020 | _a0822396688 | ||
| 020 | _z0822323192 (pbk. : alk. paper) | ||
| 020 | _z0822322870 (cloth : alk. paper) | ||
| 020 | _z9780822322870 | ||
| 024 | 7 |
_a10.1515/9780822396680 _2doi |
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| 029 | 1 |
_aAU@ _b000067499981 |
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| 035 |
_a(OCoLC)1142366854 _z(OCoLC)1226679206 _z(OCoLC)1229161636 |
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| 037 |
_a22573/ctv11bvgpd _bJSTOR |
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| 040 |
_aP@U _beng _cP@U _dOCLCO _dOCLCF _dJSTOR _dDEGRU _dOCLCO _dOCLCQ _dINARC |
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| 041 | 0 | _aeng | |
| 082 | 0 | 4 |
_a070.18 _2 |
| 100 | 1 |
_aRussell, Catherine, _d1959- _eautora. |
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| 245 | 1 | 0 |
_aExperimental ethnography : _h _bthe work of film in the age of video / _cCatherine Russell. |
| 264 | 3 | 1 |
_aDurham, NC : _bDuke University Press, _c2015 |
| 300 |
_a1 recurso en línea (xviii, 391 páginas) : _bilustraciones. |
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| 336 |
_atexto _btxt _2rdacontent |
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| 337 |
_acomputadora _bc _2rdamedia |
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| 338 |
_arecurso en línea _bcr _2rdacarrier |
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| 347 |
_aarchivo de texto _bPDF _2rda |
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| 520 | _aExperimental film and ethnographic film have long been considered separate, autonomous practices on the margins of mainstream cinema. By exploring the interplay between the two forms, Catherine Russell throws new light on both the avant-garde and visual anthropology.Russell provides detailed analyses of more than thirty-five films and videos from the 1890s to the 1990s and discusses a wide range of film and videomakers, including Georges Méliès, Maya Deren, Peter Kubelka, Ray Birdwhistell, Jean Rouch, Su Friedrich, Bill Viola, Kidlat Tahimik, Margaret Mead, Tracey Moffatt, and Chantal Akerman. Arguing that video enables us to see film differently--not as a vanishing culture but as bodies inscripted in technology, Russell maps the slow fade from modernism to postmodern practices. Combining cultural critique with aesthetic analysis, she explores the dynamics of historical interruption, recovery, and reevaluation. As disciplinary boundaries dissolve, Russell contends, ethnography is a means of renewing the avant-gardism of "experimental" film, of mobilizing its play with language and form for historical ends. "Ethnography" likewise becomes an expansive term in which culture is represented from many different and fragmented perspectives.Original in both its choice of subject and its theoretical and methodologicalapproaches, Experimental Ethnography will appeal to visual anthropologists, as well as film scholars interested in experimental and documentary practices. | ||
| 546 | _aIn English. | ||
| 588 | _aDescription based on print version record. | ||
| 650 | 7 |
_aCine en etnología. _995019 |
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| 650 | 4 |
_aCine experimental. _9131113 |
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| 650 | 0 |
_aLibro electrónico _9332961 |
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| 710 | 2 | _aProject Muse. | |
| 830 | 0 | _aBook collections on Project MUSE. | |
| 856 | 4 | 0 | _u https://go.openathens.net/redirector/biblioteca.udem.edu.mx?url=https%3A%2F%2Febookcentral.proquest.com%2Flib%2Funiversidadmonterrey-ebooks%2Freader.action%3FdocID%3D3007853%26amp%3Bppg%3D1 |
| 942 |
_2ddc _cEB _n0 |
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| 948 | _hNO HOLDINGS IN UN@ - 82 OTHER HOLDINGS | ||
| 991 |
_bCarlos González García _cPR23-2 |
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| 999 |
_c161548 _d161548 |
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