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001 978-1-137-37847-7
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020 _a9781137378477
_9978-1-137-37847-7
024 7 _a10.1057/9781137378477
_2doi
072 7 _aAB
_2bicssc
072 7 _aART000000
_2bisacsh
072 7 _aAB
_2thema
082 0 4 _a700
_223
100 1 _aLa Torre, Mario.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
245 1 4 _aThe Economics of the Audiovisual Industry: Financing TV, Film and Web
_h[electronic resource] /
_cby Mario La Torre.
250 _a1st ed. 2014.
264 1 _aLondon :
_bPalgrave Macmillan UK :
_bImprint: Palgrave Macmillan,
_c2014.
300 _aXII, 191 p.
_bonline resource.
336 _atexto
_btxt
_2rdacontent
337 _acomputadora
_bc
_2rdamedia
338 _arecurso en línea
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
506 0 _aOpen Access
520 _aThis book is open access under a CC BY licence. Recent reductions in public funding for audiovisual products have led to dramatic changes in the industry. The lack of interaction between the industry and capital markets has made sourcing funds for audiovisual products especially difficult. This book explains why the distance between the audiovisual and financial markets exists, and considers the perspective of both audiovisual companies and financial intermediaries. Providing a thorough overview of the audiovisual industry in three major categories (television, cinema and web), it analyses the financing behind each. The author adapts the traditional assessment methods to include exploitation rights, distribution deals and risk determinants ; he also proposes a pricing model for the audiovisual products demonstrating that prices and values in a industry of prototype goods do not depend solely on cost and revenue. The book also includes a methodology for analysing the economics of the sector, the different sales agreements between broadcasters and the distribution deals between distributors and independent producers. Finally, a description of the main financial products for private finance is provided, as well as an explanation of how public funds can act as leverage to catalyze private resources through the use of guarantee funds. In The Economics of the Audiovisual Industry the author suggests that rather than relying on subsidized public support, the audiovisual industry should foster private-public partnerships and market dynamics to promote an alternative funding model based on a profitable and long-lasting connection between the audiovisual and financial markets. The valuation model, both for products and firms, proposed in this book are at the basis of this new approach.
650 0 _aArts.
650 0 _aEconomics.
650 0 _aFinance, Public.
650 0 _aFinance.
650 0 _aIndustries.
650 1 4 _aArts.
650 2 4 _aEconomics.
650 2 4 _aPublic Finance.
650 2 4 _aFinancial Economics.
650 2 4 _aIndustries.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9781137378460
776 0 8 _iPrinted edition:
_z9781137525925
776 0 8 _iPrinted edition:
_z9781349478316
856 4 0 _uhttps://doi.org/10.1057/9781137378477
912 _aZDB-2-PTC
912 _aZDB-2-SXL
912 _aZDB-2-SOB
999 _c154613
_d154613