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001 978-3-030-37039-8
003 DE-He213
005 20220530131630.0
007 cr nn 008mamaa
008 201026s2020 sz | s |||| 0|eng d
020 _a9783030370398
_9978-3-030-37039-8
024 7 _a10.1007/978-3-030-37039-8
_2doi
072 7 _aAPFA
_2bicssc
072 7 _aPER004000
_2bisacsh
072 7 _aATFA
_2thema
082 0 4 _a791.4301
_223
100 1 _aCeuterick, Maud.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
245 1 0 _aAffirmative Aesthetics and Wilful Women
_h[electronic resource] :
_bGender, Space and Mobility in Contemporary Cinema /
_cby Maud Ceuterick.
250 _a1st ed. 2020.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Palgrave Macmillan,
_c2020.
300 _aXVI, 186 páginas40 ilustraciones, 38 ilustraciones in color.
_bonline resource.
336 _atexto
_btxt
_2rdacontent
337 _acomputadora
_bc
_2rdamedia
338 _arecurso en línea
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 _a1. Introduction: Affirmative ethics, wilfulness, and affects as forms -- 2. Urban wanderer and wilful performances: Head-on (Gegen die wand) -- 3. Housing wilfulness: Wadjda -- 4. Lived body, affects and cars: Friday night (Vendredi soir) -- 5. Conclusion: Affirmative aesthetics.
506 0 _aOpen Access
520 _aWhile the idea of women who stay at home and men who dominate the streets may seem outdated, binary considerations of gender, space, and power still proliferate in contemporary cinema. This open access book adopts a fluid approach to space designed to accommodate wilful, affirmative, and imaginative perspectives of gender on screen. Through close analysis, or micro-analysis, of Messidor (Alain Tanner, 1979), Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book looks for light, textures, rhythms, movement, and sound that give shape to affirmative forms, forms that contribute to rewriting bodies and spaces-such as cars, homes, and city streets-that reject traditional gender and power structures. Wilful women drive this book forward, through movement and pauses, imagination and desire, persistence and dissimulation, eroticism, performance and abjection.
650 0 _aMotion pictures.
650 0 _aSex.
650 1 4 _aFilm Theory.
650 2 4 _aGender Studies.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783030370381
776 0 8 _iPrinted edition:
_z9783030370404
776 0 8 _iPrinted edition:
_z9783030370411
856 4 0 _uhttps://doi.org/10.1007/978-3-030-37039-8
912 _aZDB-2-LCM
912 _aZDB-2-SXL
912 _aZDB-2-SOB
999 _c153091
_d153091