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020 _a9783030721473
020 _a3030721477
020 _z9783030721473
024 7 _a10.1007/978-3-030-72147-3.
_2doi
035 _a(OCoLC)1253566037
040 _aLIP
_beng
_cLIP
_dOCLCO
_dOCLCF
_dOCLCO
082 0 4 _a791.4361
_2
100 1 _aDooley, Kath.,
_eautor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
245 1 0 _aCinematic virtual reality :
_h
_ba critical study of 21st century approaches and practices /
_cby Kath Dooley.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Palgrave Macmillan,
_c2021.
300 _a1 recurso en línea (xii, 146 páginas).
336 _atexto
_btxt
_2rdacontent
337 _acomputadora
_bc
_2rdamedia
338 _arecurso en línea
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 _aChapter 1: Introduction -- Chapter 2: The 360- degree Spectator- Key Concepts for the Cinematic Virtual Reality Viewing Experience -- Chapter 3: Crafting the CVR Experience so as to Guide the Viewer -- Chapter 4: The CVR Project on the Page or on the Screen: Writing and Conceptualization -- Chapter 5: Script and Project Development Practices -- Chapter 6: Spatial Relationships in 360-degree Space: Proximity, Body Orientation and the Gaze -- Chapter 7: Creating Impact: The Scripting and Development of a CVR Documentary -- Chapter 8: Conclusion.
520 _a"What happens when viewers become the centre of virtual worlds that they can interact with in real time? Kath Dooley raises essential questions about the uniqueness of virtual reality as a storytelling medium, masterfully exploring the triggers that suspend our disbelief and opening the door to swan dive inside stories." -- Fred Volhuer, Co-Founder and CEO, Atlas V, France "Dooley provides a much-needed overview of the growing media form of cinematic virtual reality, rigorously examining its unique narrative experiences and the complex production practices that shape them. This book is essential reading for scholars and practitioners looking to gain valuable insight into this emergent storytelling medium." -- Anthony Smith, Lecturer in Television Theory, University of Salford With reference to traditional film theory and frameworks drawn from fields such as screenwriting studies and anthropology, this book explores the challenges and opportunities for both practitioners and viewers offered by the 360-degree storytelling form. It focuses on cinematic virtual reality (CVR), a format that involves immersive, high quality, live action or computer-generated imagery (CGI) that can be viewed through head mounted display (HMD) goggles or via online platforms such as YouTube. This format has surged in popularity in recent years due to the release of affordable high quality omnidirectional (360-degree) cameras and consumer grade HMDs. The book interrogates four key concepts for this emerging medium: immersion, presence, embodiment and proximity through an analysis of innovative case studies and with reference to practitioner interviews. In doing so, it highlights the specificity of the format and provides a critical account of practitioner approaches to the concept development, writing and realisation of short narrative CVR works. The book concludes with an account of the author's practice-led research into the form, providing a valuable example of creative practice in the field of immersive media. Kath Dooley is a filmmaker and academic in the Discipline of Theatre, Screen and Immersive Media at Curtin University, Western Australia. She co-edited The Palgrave Handbook of Screen Production published by Palgrave Macmillan in 2019.
650 7 _aCultura.
_91425
650 0 _aTecnología.
_910649
856 _uhttps://ebookcentral.udemproxy.elogim.com/lib/universidadmonterrey-ebooks/detail.action?docID=6578019
942 _2ddc
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