000 | 01435cam a2200361Ii 4500 | ||
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001 | on1036101229 | ||
003 | OCoLC | ||
005 | 20210601222504.0 | ||
007 | ta | ||
008 | 180522t20182012enka b 001 0 eng d | ||
020 | _a9781912217625 | ||
020 | _a1912217627 | ||
035 | _a(OCoLC)1036101229 | ||
040 |
_aYDX _beng _erda _cYDX _dBDX _dKOTUI _dNZFNP _dOCLCQ _dZQP _dSFR _dOCLCF |
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041 | 0 | _aeng | |
082 | 0 | 4 |
_a731.82 _bR961m 2012 |
100 | 1 |
_aRussell, Tanya, _d1968- _eautor |
|
245 | 1 | 0 |
_aModelling and sculpting the figure / _cTanya Russell. |
264 | 1 |
_aLondon : _bHerbert Press : _bBloomsbury Publishing Plc, _c[2018] |
|
264 | 4 | _c©2012 | |
300 |
_a128 páginas : _bilustraciones ; _c28 cm |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_asin mediación _bn _2rdamedia |
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338 |
_avolúmen _bnc _2rdacarrier |
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504 | _aIncluye bibliografía e índice | ||
520 | _aThe human figure in sculpture is a powerful form, capable of great expression and depth. Sculpting the figure in any medium is a rewarding practice, but one that presents special challenges for the maker. Tanya Russell, founder and principal of the Art Academy in London, details the whole creative process for sculpting the figure. | ||
650 | 7 |
_aModelado. _979763 |
|
650 | 7 |
_aFigura humana en el arte. _92863 |
|
942 |
_2ddc _cGEN _n0 |
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948 | _hNO HOLDINGS IN UN@ - 19 OTHER HOLDINGS | ||
991 |
_aART _bIgor Galvez _cPR19 |
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999 |
_c147721 _d147721 |
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900 | _aART |