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| 001 | UDM01000147872 | ||
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| 005 | 20200204211211.0 | ||
| 008 | 140603s2003^^^^maua^^^^^^^^^^001^0^eng^^ | ||
| 020 |
_a0674010876 _q(pbk. : alk. paper) |
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| 020 |
_a9780674010871 _q(pbk. : alk. paper) |
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| 040 |
_aDLC _beng _cDLC _dOCLCQ _dBAKER _dNLGGC _dUBA _dBTCTA _dLVB _dYDXCP _dOCLCG _dHEBIS _dUKM _dDEBSZ _dMNSBU _dBDX _dOCLCO _dOCLCF _dUN@ |
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| 082 | 0 | 4 |
_a808.066791 _bT473s 2003 |
| 100 | 1 |
_951138 _aThompson, Kristin, _d1950- , _eautor |
|
| 245 | 1 | 0 |
_aStorytelling in film and television / _cKristin Thompson. |
| 264 | 3 | 1 |
_aCambridge, MA : _bHarvard University Press, _c2003. |
| 300 |
_axiii, 172 páginas : _bilustraciones |
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| 336 |
_atexto _btxt _2rdacontent |
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| 337 |
_ano mediado _bn _2rdamedia |
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| 338 |
_avolumen _bnc _2rdacarrier |
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| 504 | _aIncluye bibliografía (p. [143]-168). | ||
| 505 | 0 | _aGo with the flow? Analyzing television -- What do they think they are doing? Theory and practice in screenwriting -- The dispersal of narrative : adaptations, sequels, serials, spin-offs, and sagas -- The strange cases of David Lynch. | |
| 650 | 1 | 4 |
_947582 _aArte de escribir para el cine. |
| 942 |
_2ddc _cGEN |
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| 991 |
_aC0 _bUN@ |
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| 991 |
_aCOM _aPR14 _aMartínez Ramos, Dora Elia. |
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| 997 |
_aHZ _b00 _c20140722 _lUDM01 _h1029 |
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| 998 |
_aBATCH-UPD _b00 _c20150424 _lUDM01 _h0546 |
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| 999 |
_c135586 _d135586 |
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