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040 _aDLC
_cDLC
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_dYDXCP
_dILU
_dUN@
082 0 4 _a791.43029373
_bR434a 1996
100 1 _9266410
_aResnik, Gail,
_eautor
245 1 0 _aAll you need to know about the movie and T.V. business /
_cGail Resnick and Scott Trost.
264 3 1 _aNew York, NY :
_bSimon & Schuster,
_cc1996.
300 _a335 páginas
336 _atexto
_btxt
_2rdacontent
337 _ano mediado
_bn
_2rdamedia
338 _avolumen
_bnc
_2rdacarrier
504 _aIncluye bibliografía.
505 0 _aIntroduction -- What It Takes to Work in the Movie and TV Business -- 1. Be Prepared -- 2. The People Above the Line -- 3. The People Below the Line -- 4. The People Who Do Business -- 5. First Steps -- 6. Getting Trained -- 7. The People Who Represent You -- 8. The People Who Promote You -- 9. Unions -- 10. Contractual Issues -- 11. When Will I Work Again? -- 12. What Are the Breaks? -- 13. Exploiting the Break -- 14. Avoid Being Exploited -- 15. The Value of Creative Ideas -- 16. Top-Level Contract Issues -- 17. Now That You´ve Got the Power to Negotiate -- 18. So What Is That Boilerplate? -- 19. Breaking the Contract
650 1 4 _9341986
_aPelículas cinematográficas.
_xOrientación profesional
_zEstados Unidos.
650 1 4 _9352959
_aTelevisión.
_xOrientación profesional
_zEstados Unidos.
700 1 _9288505
_aTrost, Scott.
_eautor
856 _a_
_yTabla de contenido
_uhttp://catdir.loc.gov/catdir/enhancements/fy0631/95039804-t.html
942 _2ddc
_cGEN
991 _aC0
_bUN@
991 _aCOM
_aPR12
_aDonativo GGF
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900 _aADM
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