000 | 01968cam^a22003851a^4500 | ||
---|---|---|---|
001 | UDM01000141476 | ||
003 | UDM | ||
005 | 20210531005518.0 | ||
008 | 120423s1996^^^^nyu^^^^^^^^^^^000^0^eng^^ | ||
020 | _a0684800640 | ||
020 | _a9780684800646 | ||
040 |
_aDLC _cDLC _dBAKER _dBTCTA _dYDXCP _dILU _dUN@ |
||
082 | 0 | 4 |
_a791.43029373 _bR434a 1996 |
100 | 1 |
_9266410 _aResnik, Gail, _eautor |
|
245 | 1 | 0 |
_aAll you need to know about the movie and T.V. business / _cGail Resnick and Scott Trost. |
264 | 3 | 1 |
_aNew York, NY : _bSimon & Schuster, _cc1996. |
300 | _a335 páginas | ||
336 |
_atexto _btxt _2rdacontent |
||
337 |
_ano mediado _bn _2rdamedia |
||
338 |
_avolumen _bnc _2rdacarrier |
||
504 | _aIncluye bibliografía. | ||
505 | 0 | _aIntroduction -- What It Takes to Work in the Movie and TV Business -- 1. Be Prepared -- 2. The People Above the Line -- 3. The People Below the Line -- 4. The People Who Do Business -- 5. First Steps -- 6. Getting Trained -- 7. The People Who Represent You -- 8. The People Who Promote You -- 9. Unions -- 10. Contractual Issues -- 11. When Will I Work Again? -- 12. What Are the Breaks? -- 13. Exploiting the Break -- 14. Avoid Being Exploited -- 15. The Value of Creative Ideas -- 16. Top-Level Contract Issues -- 17. Now That You´ve Got the Power to Negotiate -- 18. So What Is That Boilerplate? -- 19. Breaking the Contract | |
650 | 1 | 4 |
_9341986 _aPelículas cinematográficas. _xOrientación profesional _zEstados Unidos. |
650 | 1 | 4 |
_9352959 _aTelevisión. _xOrientación profesional _zEstados Unidos. |
700 | 1 |
_9288505 _aTrost, Scott. _eautor |
|
856 |
_a_ _yTabla de contenido _uhttp://catdir.loc.gov/catdir/enhancements/fy0631/95039804-t.html |
||
942 |
_2ddc _cGEN |
||
991 |
_aC0 _bUN@ |
||
991 |
_aCOM _aPR12 _aDonativo GGF |
||
997 |
_aHZ _b00 _c20140722 _lUDM01 _h1028 |
||
998 |
_aBATCH-UPD _b00 _c20150424 _lUDM01 _h0335 |
||
999 |
_c129287 _d129287 |
||
900 | _aADM | ||
900 | _aCDI |