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003			UDM
005			20210531005028.0
008			110314s2012^^^^nyua^^^^^b^^^^001^0^eng^^
020			_a0415574188 _q(hardback : alk. paper)
020			_a9780415574181 _q(hardback : alk. paper)
040			_aDLC _beng _cDLC _dYDX _dBTCTA _dYDXCP _dBWX _dMST _dUKMGB _dTULIB _dUN@
082	0	4	_a070.18 _bE47d 2012
100	1		_979704 _aEllis, John, _d1952- , _eautor
245	1	0	_aDocumentary : _bwitness and self-revelation / _cJohn Ellis.
264	3	1	_aLondon ; _aNew York, NY : _bRoutledge, _c2012.
300			_avii, 171 páginas : _bilustraciones ; _c25 cm.
336			_atexto _btxt _2rdacontent
337			_ano mediado _bn _2rdamedia
338			_avolumen _bnc _2rdacarrier
504			_aIncluye bibliografía. (p. [161]-167), filmografía (p. [161]-162).
505	0		_aIntroduction -- From reconstruction to observation: a history of documentary 1895-1995 -- New attitudes to documentary -- The changing technologies of documentary filmmaking -- Performance and self-revelation -- Documentary filming as personal interaction -- Editing, narrative and separation -- The changing technologies of documentary editing -- Slow film -- The eventual viewer -- Ambivalent feelings about photography and recording -- Witness and watching -- Ethics, interpretation and the new viewer -- Conclusion.
650	1	4	_9141299 _aCine documental _xHistoria y crítica.
650	1	4	_994401 _aCine documental _xProducción y dirección.
942			_2ddc _cGEN
991			_aC0 _bUN@
991			_aCOM _aPR12 _a000006179 Martínez Ramos, Dora Elia.
997			_aHZ _b00 _c20140722 _lUDM01 _h1028
998			_aBATCH-UPD _b00 _c20150510 _lUDM01 _h1409
999			_c128686 _d128686
900			_aECO
900			_aCDI