The $12 million stuffed shark : the curious economics of contemporary art / Don Thompson.
Tipo de material:
- texto
- sin mediación
- volumen
- 0230610226
- 9780230610224
- 9780230620599
- 0230620590
- Twelve million dollar stuffed shark
- Art, Modern -- 20th century -- Economic aspects
- Art, Modern -- 21st century -- Economic aspects
- Art -- Marketing -- History -- 20th century
- Art -- Marketing -- History -- 21st century
- Art -- Collectors and collecting -- Psychology
- Art -- 20e si{grave}ecle -- Aspect économique
- Art -- 21e si{grave}ecle -- Aspect économique
- Art -- Commercialisation -- Histoire -- 20e si{grave}ecle
- Art -- Commercialisation -- Histoire -- 21e si{grave}ecle
- Art -- Collectionneurs et collections -- Psychologie
- Art -- Marketing
- Art, Modern -- Economic aspects
- Konst -- ekonomiska aspekter
- Konsthandel
- 1900-2099
- 709/.04/9 22
- 706.8/1 22
Contenidos:
The $12 million stuffed shark -- Branding and insecurity -- Branded auctions -- Branded dealers -- The art of the dealer -- Art and artists -- Damien Hirst and the shark -- Warhol, Koons, and Emin -- Charles Saatchi: branded collector -- Christie's and Sotheby's -- Choosing an auction hammer -- Auction psychology -- The secret world of auctions -- Francis Bacon's perfect portrait -- Auction houses versus dealers -- Art fairs: The final frontier -- Art and money -- Pricing contemporary art -- Fakes -- Art critics -- Museums -- End game -- Contemporary art as an investment -- Postscript.
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Incluye bibliografía (páginas 255-264) and index.
The $12 million stuffed shark -- Branding and insecurity -- Branded auctions -- Branded dealers -- The art of the dealer -- Art and artists -- Damien Hirst and the shark -- Warhol, Koons, and Emin -- Charles Saatchi: branded collector -- Christie's and Sotheby's -- Choosing an auction hammer -- Auction psychology -- The secret world of auctions -- Francis Bacon's perfect portrait -- Auction houses versus dealers -- Art fairs: The final frontier -- Art and money -- Pricing contemporary art -- Fakes -- Art critics -- Museums -- End game -- Contemporary art as an investment -- Postscript.
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