Theorizing colonial cinema : reframing production, circulation, and consumption of film in Asia / edited by Nayoung Aimee Kwon, Takushi Odagiri, and Moonim Baek.
Tipo de material:
- texto
- computadora
- recurso en línea
- 9780253059765
- 791.43095 23
Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Estado | Fecha de vencimiento | Código de barras | Reserva de ítems | |
---|---|---|---|---|---|---|---|---|
Libro electrónico | Biblioteca Central | Libro Electrónico | Recién adquirido |
Incluye bibliografía e índice.
On romanization, naming, and translation -- Time, race, and the asynchronous in the colonial documentaries of Malaya / Nadine Chan -- Facing malcontent colonial Korean comrades : a typology of colonial cinema in Asia's socialist alliances / Moonim Baek -- Colonial-era film theory, spectatorship, and the problem of internalization / Aaron Gerow -- Chinese cinema's other : wrangling over "China-humiliating" films (ruHua pian) / Yiman Wang -- World export : melodramas of colonial conquest / Jane M. Gaines -- Tarzan/Taishan and other orphans : Taiwan's melodrama of decolonization / Zhang Zhen -- What is an auteur? Hŏ Yŏng/Hinatsu EitaroÌ„/Huyung between (post)colonial Indonesia, Japan, and Korea / Thomas Barker and Nikki J. Y. Lee -- Cinema's coloniality / Takushi Odagiri -- A hallucinatory history of the Philippine-American War : Khavn's Balangiga : howling wilderness / JoseÌ B. Capino -- Millennial vengeance : Park Chan-Wook's Agassi (The Handmaiden) and the return of postcolonial Japonisme / Nayoung Aimee Kwon.
This book provides a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia.
Description based on print version record.
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