TY  - BOOK
AU  - Rees,A.L.
TI  - Expanded cinema: art, performance, film 
SN  - 1854379747
U1  - 790.2 
PY  - 2011///
CY  - London
PB  - Tate Gallery Pub.
KW  - Arte de representación
KW  - Películas cinematográficas
KW  - Historia
N1  - Incluye bibliografía (p. 305-306); _; Preface; A.L. Rees, Duncan White, Steven Ball and David Curtis --; Expanded cinema and narrative; a troubled history; A.L. Rees --; The live record; Expanded cinema; the live record; Duncan White --; On cinematic invisibility; expanded cinema between Wagner and television; Noam M. Elcott --; Socialimagestics and the visual acupuncture of Stan Vanderbeek´s expanded cinema; Mark Bartlett --; Expanded cinema and the new romantic film movement of the 1980s; Michael O´Pray --; Expanded cinema; extracts from Village voice ´Movie journal´; Jonas Mekas --; ´Culture; intercom´; Stan Vanderbeek --; On the development of Snows and other early expanded cinema works; Free form recollections of New York; Carolee Schneemann --; Reflexivity and expanded cinema; a cinema of transgression?; William Raban --; Cinema expanded. Degree zero; narrative and the contextual image; Duncan White --; _; the expanded films of Guy Sherwin, Lis Rhodes, Steve Farrer and Nicky Hamlyn; Nicky Hamlyn --; Unfolding a tale; on the impossibility of recovering the original meanings; Lis Rhodes --; The contemporary. Expanded cinema up to and including its limits; perception, participation and technology; Duncan White --; ´Not an image of the death of film´; contemporary expanded cinema and experimental film; Jonathan Walley --; ´Live cinema´; Guy Sherwin and Lynn Loo --; On expanded cinema; Karen Mirza and Brad Butler --; Expanded cinema; proto-, photo and post-photo cinema; Jackie Hatfield --; Conditions of music; contemporary audio-visual spatial performance practice; Steven Ball --; Cybernetics, expanded cinema and new media; from representation to performative practice; Chris Welsby --; Expanded cinema; expanded reality; VALIE EXPORT; _; Video installation in Europe and North America; the expansion and exploration of electronic and televisual language 1969-89; Chris Meigh-Andrews --; A kick in the eye; video and expanded cinema in Britain; Stephen Partridge --; Magic tricks?; the use of shadowplay in British expanded cinema; Lucy Reynolds --; ´I was sitting with my back to them, sewing, a beam of light coming at me from the projector´; Annabel Nicolson --; Time and the spectator in the experience of expanded cinema; Malcolm Le Grice --; KwieKulik´s open form film; Polish expanded cinema?; Maxa Zoller --; Some notes on some expanded films; Werner Nekes --; On Performance; expanded cinema work in the 1970s; Birgit Hein --; On the origins of expanded cinema; Peter Weibel --; Conceptual synchronicity; intermedial encounters between film, video and computer; Yvonne Spielmann --; The domestic spaces of video; Catherine Elwes --; Mutable screens
ER  -