Introduction -- From reconstruction to observation: a history of documentary 1895-1995 -- New attitudes to documentary -- The changing technologies of documentary filmmaking -- Performance and self-revelation -- Documentary filming as personal interaction -- Editing, narrative and separation -- The changing technologies of documentary editing -- Slow film -- The eventual viewer -- Ambivalent feelings about photography and recording -- Witness and watching -- Ethics, interpretation and the new viewer -- Conclusion.
0415574188 9780415574181
Cine documental--Historia y crítica. Cine documental--Producción y dirección.