Giovanni Bellini : the art of contemplation / Johannes Grave ; [translation from the German, Cynthia Hall].
Tipo de material: TextoIdioma: Inglés Lenguaje original: Alemán Series Editor: Munich ; London ; New York : Prestel, [2018]Fecha de copyright: ©2018Descripción: 287 páginas : ilustraciones ; 38 cmTipo de contenido:- texto
- sin mediación
- volumen
- 3791383973
- 9783791383972
- Giovanni Bellini. Inglés
- 709.945 G775g 2018
Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Estado | Fecha de vencimiento | Código de barras | Reserva de ítems | |
---|---|---|---|---|---|---|---|---|
Libro | Biblioteca Central | Material de formato grande | 709.945 G775g 2018 (Navegar estantería(Abre debajo)) | Disponible | 33409003115700 |
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709.7471 C678n 2008 New York / | 709.8 F954v 2003 Viendo visiones / | 709.8 R449 2007 Revelaciones. las artes en América Latina, | 709.945 G775g 2018 Giovanni Bellini : the art of contemplation / | 709.951 H772b 2007 Buda Guanyin : Tesoros de la compasión / | 711.20972 M611pa 1978 Plan nacional de desarrollo urbano / | 711.20972 M611pa 1978 Plan nacional de desarrollo urbano / |
Incluye bibliografía.
Following the arc of Bellini's career, from his early devotional paintings to his later, occasionally secular works, this book offers an in-depth appreciation of the Venetian master who dominated the Early Renaissance. Featuring nearly every extant Bellini work, as well as those of his contemporaries, this book brims with gorgeous Renaissance art. Author Johannes Grave focuses on some of the artist's greatest works including Allegoria Sacra, the Brera Pieta, and the altarpiece of San Giobbe-to explore how Bellini excelled in tempera before mastering oil painting. Grave discusses how Bellini's precise lines, his delicate facial expressions, and the subtle effects of light and shadow were used in his religious paintings as well as his portraiture and late mythological depictions. The book examines Bellini's life, including his complex relationships with his father Jacopo, his brother Gentile, and his brother-in-law Andrea Mantegna. It considers the original contexts of Bellini's works, and elucidates the ways in which these paintings were meant to be perceived. It also links Bellini's devotional paintings with the poetic creations of his pupil Giorgione. An important contribution to the scholarship of Renaissance art, this book reaffirms Bellini's status as one of Venice's greatest painters.
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