The self-portrait : from Schiele to Beckmann / edited by Tobias G. Natter ; preface by Ronald S. Lauder ; foreword by Renée Price ; with contributions by Philipp Blom [and others].
Tipo de material:
- texto
- sin medación
- volumen
- 3791358596
- 9783791358598
- 704.942 S465 2019
Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Copia número | Estado | Fecha de vencimiento | Código de barras | Reserva de ítems | |
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Libro | Biblioteca Central | Colección General | 704.942 S465 2019 (Navegar estantería(Abre debajo)) | Disponible | 33409003115577 | ||||
Libro | Biblioteca Central | Colección General | 704.942 S465 2019 (Navegar estantería(Abre debajo)) | c. 2 | Disponible | 33409003115759 |
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704.942 O66b 2009 The body in contemporary art / | 704.942 Q7 2004 500 autorretratos / | 704.942 S465 2019 The self-portrait : from Schiele to Beckmann / | 704.942 S465 2019 The self-portrait : from Schiele to Beckmann / | 704.9421 C593d 1996 El desnudo : un estudio de la forma ideal / | 704.9424 L966a 2014 El arte de dar gracias : los exvotos pictóricos de María del Rosario de Talpa = the art of giving thanks : the pictorial exvotos of María del Rosario of Talpa / | 704.9424 P964 2009 Producción artística y teoría feminista del arte / |
Catalog of an exhibition held at Neue Galerie New York, February 28-June 24, 2019.
Imcluye bibliografía e índice
This visually stunning volume offers perceptive examinations of several renowned German and Austrian Expressionist artists who redefined modern self-portraiture. The self-portrait has been a vital aspect of artistic expression throughout history. Neo-Classical painters such as El Greco and Rembrandt formalized the practice, and the first half of the 20th century saw a dramatic transformation in the self-portrait's style and context, especially in the hands of the German and Austrian Expressionists. Vibrant reproductions of works by Egon Schiele, Max Beckmann, Ernst Ludwig Kirchner, Oskar Kokoschka, and others are accompanied by essays that explore how these artists--many of whom were classified as "degenerate" by the Nazi party--imbued their images with eloquent expressions of resistance, isolation, entrapment, and provocation. From Schiele's erotically charged and overtly physical paintings to Beckmann's emotionally fraught depictions of psychic trauma, this important examination of a powerful aspect of modern European painting brilliantly illustrates how the Expressionist self-portrait became a powerful weapon against artistic oppression. 00Exhibition: Neue Galerie, New York, USA (28.02.- 24.06.2019).
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