Criticizing photographs : an introduction to understanding images / Terry Barrett.
Tipo de material: TextoEditor: New York, NY : McGraw Hill, c2012Edición: 5th edDescripción: x, 307 páginas, [16] páginas de láminas : ilustraciones (algunas a color)Tipo de contenido:- texto
- no mediado
- volumen
- 0073526533
- 9780073526539
- 770.1 B274c 2012
Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | |
---|---|---|---|---|---|---|---|---|---|
Reserva Libro | Biblioteca Central | Reserva Colección General | 770.1 B274c 2012 (Navegar estantería(Abre debajo)) | Disponible | GEN | 33409002872467 |
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769.4 F755p 2014 Paper and ink workshop : printmaking techniques using a variety of methods and materials / | 769.972 P855jb 2012 José Guadalupe Posada : el gran ilustrador de lo mexicano. | 770 C851p 2014 The photograph as contemporary art / | 770.1 B274c 2012 Criticizing photographs : an introduction to understanding images / | 770.1 D816a 2010 El acto fotográfico : de la representación a la recepción / | 770.1 F855m 2011 La mente del fotógrafo : pensamiento creativo para hacer mejores fotografías / | 770.1 S559c 2013 Contexto y narración en fotografía / |
Incluye bibliografía.
Ethically evaluative photographs -- Aesthetically evaluative photographs -- Theoretical photographs -- Interpretive process: a summary -- 6: Judging Photographs: Is It Good?: -- Examples of judgmental statements -- Positive judgments -- Negative judgments -- Implied judgments -- Opposing judgments -- Comparative judgments -- Judgments and reasons -- Judgments and criteria -- Different criteria -- Realism -- Expressionism -- Formalism -- Activism -- Other criteria -- Choosing among criteria -- Differing judgments -- Judgments are arguments -- Reappraisals -- Judgments and preferences -- Intentionalism and judgments -- Objects of judgments -- Judgments of Robert Mapplethorpe´s photographs -- Hilton Kramer´s and Grace Glueck´s views of Mapplethorpe´s work -- Other critics´ views of Mapplethorpe´s work -- Conclusion -- Principles for judging photographs -- 7: Photography Theory: Is It Art? Is It True? Is It Moral?: -- Photography theory and practice --^
Ontological concerns: what is a photograph? -- Digital images and ontology -- Epistemological concerns: are photographs true? -- Realist theory -- Conventional theory -- Photographic truth -- Aesthetic concerns: is photography art? -- Moderinism and postmoderism -- Digital images and aesthetic concerns -- Ethical concerns: are photographs moral? -- Marxist theory and ethical photography -- Feminist theory and ethical photography -- Multicultural theory and eithical photography -- Queer theory and ethical photography -- Postcolonial theory and ethical photography -- Conclusion -- 8: Writing And Talking About Photographs: -- Writing about photographs -- Observing and taking notes -- Quick-writes and careful-writes -- Students´ interpretive writings -- Building visual interpretations -- Making personal meaning -- Judging photographs -- Writing criteria statements -- Four student views of immediate family / Sally Mann -- Writing metacritically -- Writing artists´ statements --^
Other interpretive strategies -- Combinations of interpretive approaches -- Right interpretations -- Interpretations and the artist´s intent -- Interpretations and feelings -- Interpretation, meaning, and personal significance -- Community of interpreters -- 4: Types Of Photographs: -- Categories of photographs -- New categories -- Descriptive photographs -- Explanatory photographs -- Interpretive photographs -- Ethically evaluative photographs -- Aesthetically evaluative photographs -- Theoretical photographs -- 5: Photographs And Contexts: -- Internal context -- Original context -- External context -- External contexts and connotations -- Interpretation of Barbara Kruger´s untitled (´surveillance´) with contextual information -- Surveillance and internal context -- Surveillance and original context -- Surveillance and external context -- Barbara Kruger´s untitled (´surveillance´) and the categories -- Descriptive photographs -- Explanatory photographs -- Interpretive photographs --^
Preface -- Chapter 1: About Art Criticism: -- Definition of criticism -- Sources of criticism -- Kinds of criticism -- Backgrounds of critics -- Stances toward criticism -- Relations between critics and artists -- Art of criticizing criticism -- Value of criticism -- 2: Describing Photographs: What Do I See?: -- Defining description -- Describing an exhibition: Avedon´s ´In the American West´ -- Describing subject matter -- Describing form -- Describing medium -- Describing style -- Comparing and contrasting -- Identifying internal and external sources of information -- Describing and interpreting -- Describing and evaluating -- Importance of description to readers -- Principles for describing photographs -- 3: Interpreting Photographs: What Does It Mean?: -- Two exemplary interpretations -- About interpretation -- Definition of intrpretation -- Objects of interpretations -- Interpretive claims and arguments -- Interpretive perspectives -- Three interpretations of Eleanor --^
Processes of writing -- Talking about photographs -- Studio critiques -- Kinds of critiques -- Conducting successful critiques -- Principles for effective critiques -- Notes -- Bibliography -- Index.
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