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Criticizing photographs : an introduction to understanding images / Terry Barrett.

Por: Tipo de material: TextoTextoEditor: New York, NY : McGraw Hill, c2012Edición: 5th edDescripción: x, 307 páginas, [16] páginas de láminas : ilustraciones (algunas a color)Tipo de contenido:
  • texto
Tipo de medio:
  • no mediado
Tipo de soporte:
  • volumen
ISBN:
  • 0073526533
  • 9780073526539
Tema(s): Clasificación CDD:
  • 770.1 B274c 2012
Contenidos:
Ethically evaluative photographs -- Aesthetically evaluative photographs -- Theoretical photographs -- Interpretive process: a summary -- 6: Judging Photographs: Is It Good?: -- Examples of judgmental statements -- Positive judgments -- Negative judgments -- Implied judgments -- Opposing judgments -- Comparative judgments -- Judgments and reasons -- Judgments and criteria -- Different criteria -- Realism -- Expressionism -- Formalism -- Activism -- Other criteria -- Choosing among criteria -- Differing judgments -- Judgments are arguments -- Reappraisals -- Judgments and preferences -- Intentionalism and judgments -- Objects of judgments -- Judgments of Robert Mapplethorpe´s photographs -- Hilton Kramer´s and Grace Glueck´s views of Mapplethorpe´s work -- Other critics´ views of Mapplethorpe´s work -- Conclusion -- Principles for judging photographs -- 7: Photography Theory: Is It Art? Is It True? Is It Moral?: -- Photography theory and practice --^
Ontological concerns: what is a photograph? -- Digital images and ontology -- Epistemological concerns: are photographs true? -- Realist theory -- Conventional theory -- Photographic truth -- Aesthetic concerns: is photography art? -- Moderinism and postmoderism -- Digital images and aesthetic concerns -- Ethical concerns: are photographs moral? -- Marxist theory and ethical photography -- Feminist theory and ethical photography -- Multicultural theory and eithical photography -- Queer theory and ethical photography -- Postcolonial theory and ethical photography -- Conclusion -- 8: Writing And Talking About Photographs: -- Writing about photographs -- Observing and taking notes -- Quick-writes and careful-writes -- Students´ interpretive writings -- Building visual interpretations -- Making personal meaning -- Judging photographs -- Writing criteria statements -- Four student views of immediate family / Sally Mann -- Writing metacritically -- Writing artists´ statements --^
Other interpretive strategies -- Combinations of interpretive approaches -- Right interpretations -- Interpretations and the artist´s intent -- Interpretations and feelings -- Interpretation, meaning, and personal significance -- Community of interpreters -- 4: Types Of Photographs: -- Categories of photographs -- New categories -- Descriptive photographs -- Explanatory photographs -- Interpretive photographs -- Ethically evaluative photographs -- Aesthetically evaluative photographs -- Theoretical photographs -- 5: Photographs And Contexts: -- Internal context -- Original context -- External context -- External contexts and connotations -- Interpretation of Barbara Kruger´s untitled (´surveillance´) with contextual information -- Surveillance and internal context -- Surveillance and original context -- Surveillance and external context -- Barbara Kruger´s untitled (´surveillance´) and the categories -- Descriptive photographs -- Explanatory photographs -- Interpretive photographs --^
Preface -- Chapter 1: About Art Criticism: -- Definition of criticism -- Sources of criticism -- Kinds of criticism -- Backgrounds of critics -- Stances toward criticism -- Relations between critics and artists -- Art of criticizing criticism -- Value of criticism -- 2: Describing Photographs: What Do I See?: -- Defining description -- Describing an exhibition: Avedon´s ´In the American West´ -- Describing subject matter -- Describing form -- Describing medium -- Describing style -- Comparing and contrasting -- Identifying internal and external sources of information -- Describing and interpreting -- Describing and evaluating -- Importance of description to readers -- Principles for describing photographs -- 3: Interpreting Photographs: What Does It Mean?: -- Two exemplary interpretations -- About interpretation -- Definition of intrpretation -- Objects of interpretations -- Interpretive claims and arguments -- Interpretive perspectives -- Three interpretations of Eleanor --^
Processes of writing -- Talking about photographs -- Studio critiques -- Kinds of critiques -- Conducting successful critiques -- Principles for effective critiques -- Notes -- Bibliography -- Index.
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Existencias
Tipo de ítem Biblioteca actual Colección Signatura topográfica Estado Notas Fecha de vencimiento Código de barras Reserva de ítems
Reserva Libro Biblioteca Central Reserva Colección General 770.1 B274c 2012 (Navegar estantería(Abre debajo)) Disponible GEN 33409002872467
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Incluye bibliografía.

Ethically evaluative photographs -- Aesthetically evaluative photographs -- Theoretical photographs -- Interpretive process: a summary -- 6: Judging Photographs: Is It Good?: -- Examples of judgmental statements -- Positive judgments -- Negative judgments -- Implied judgments -- Opposing judgments -- Comparative judgments -- Judgments and reasons -- Judgments and criteria -- Different criteria -- Realism -- Expressionism -- Formalism -- Activism -- Other criteria -- Choosing among criteria -- Differing judgments -- Judgments are arguments -- Reappraisals -- Judgments and preferences -- Intentionalism and judgments -- Objects of judgments -- Judgments of Robert Mapplethorpe´s photographs -- Hilton Kramer´s and Grace Glueck´s views of Mapplethorpe´s work -- Other critics´ views of Mapplethorpe´s work -- Conclusion -- Principles for judging photographs -- 7: Photography Theory: Is It Art? Is It True? Is It Moral?: -- Photography theory and practice --^

Ontological concerns: what is a photograph? -- Digital images and ontology -- Epistemological concerns: are photographs true? -- Realist theory -- Conventional theory -- Photographic truth -- Aesthetic concerns: is photography art? -- Moderinism and postmoderism -- Digital images and aesthetic concerns -- Ethical concerns: are photographs moral? -- Marxist theory and ethical photography -- Feminist theory and ethical photography -- Multicultural theory and eithical photography -- Queer theory and ethical photography -- Postcolonial theory and ethical photography -- Conclusion -- 8: Writing And Talking About Photographs: -- Writing about photographs -- Observing and taking notes -- Quick-writes and careful-writes -- Students´ interpretive writings -- Building visual interpretations -- Making personal meaning -- Judging photographs -- Writing criteria statements -- Four student views of immediate family / Sally Mann -- Writing metacritically -- Writing artists´ statements --^

Other interpretive strategies -- Combinations of interpretive approaches -- Right interpretations -- Interpretations and the artist´s intent -- Interpretations and feelings -- Interpretation, meaning, and personal significance -- Community of interpreters -- 4: Types Of Photographs: -- Categories of photographs -- New categories -- Descriptive photographs -- Explanatory photographs -- Interpretive photographs -- Ethically evaluative photographs -- Aesthetically evaluative photographs -- Theoretical photographs -- 5: Photographs And Contexts: -- Internal context -- Original context -- External context -- External contexts and connotations -- Interpretation of Barbara Kruger´s untitled (´surveillance´) with contextual information -- Surveillance and internal context -- Surveillance and original context -- Surveillance and external context -- Barbara Kruger´s untitled (´surveillance´) and the categories -- Descriptive photographs -- Explanatory photographs -- Interpretive photographs --^

Preface -- Chapter 1: About Art Criticism: -- Definition of criticism -- Sources of criticism -- Kinds of criticism -- Backgrounds of critics -- Stances toward criticism -- Relations between critics and artists -- Art of criticizing criticism -- Value of criticism -- 2: Describing Photographs: What Do I See?: -- Defining description -- Describing an exhibition: Avedon´s ´In the American West´ -- Describing subject matter -- Describing form -- Describing medium -- Describing style -- Comparing and contrasting -- Identifying internal and external sources of information -- Describing and interpreting -- Describing and evaluating -- Importance of description to readers -- Principles for describing photographs -- 3: Interpreting Photographs: What Does It Mean?: -- Two exemplary interpretations -- About interpretation -- Definition of intrpretation -- Objects of interpretations -- Interpretive claims and arguments -- Interpretive perspectives -- Three interpretations of Eleanor --^

Processes of writing -- Talking about photographs -- Studio critiques -- Kinds of critiques -- Conducting successful critiques -- Principles for effective critiques -- Notes -- Bibliography -- Index.

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