Reconsidering Olmec visual culture : the unborn, women, and creation / by Carolyn E. Tate.
Tipo de material: TextoSeries The William & Bettye Nowlin series in art, history, and culture of the Western Hemisphere | William & Bettye Nowlin series in art, history, and culture of the Western HemisphereEditor: Austin, TX : University of Texas Press, c2012Descripción: xvii, 339 páginas : ilustraciones ; 29 cmTipo de contenido:- texto
- no mediado
- volumen
- 0292728522
- 9780292728523
- 704.940972 T216r 2012
Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | |
---|---|---|---|---|---|---|---|---|---|
Reserva Libro | Biblioteca Central | Reserva Colección General | 704.940972 T216r 2012 (Navegar estantería(Abre debajo)) | Disponible | GEN | 33409002863060 |
Navegando Biblioteca Central estanterías, Colección: Reserva Colección General Cerrar el navegador de estanterías (Oculta el navegador de estanterías)
702.9 C684m 2010 Marketing de las artes y la cultura / | 702.9 C684m 2010 Marketing de las artes y la cultura / | 704 J37e 2019 Pensar con imágenes / | 704.940972 T216r 2012 Reconsidering Olmec visual culture : the unborn, women, and creation / | 704.946 D332a 2010 Animaux étranges et fabuleux : un bestiaire fantastique dans l´art / | 704.9499 S415c 2010 Cómo leer la historia en el arte / | 707.11745 A784 2013 The art of critical making : Rhode Island School of Design on creative practice / |
Incluye bibliografía.
Female water and earth supernaturals : the massive offerings, mosaic pavements, and Mixe ´work of the earth´. Why construct massive offerings? ; Mixe beliefs in earth, water, and thunder supernormal entities ; La Venta´s mosaic pavements ; Offerings inseminating the flowering earth ; Massive offerings : contained water ; Mixe healers, midwives, and rituals, and their Olmec antecedents ; Female shamans ; The mosaic pavements as conventionalized symbols ; Politics, protection, and healing -- A processional visual narrative at La Venta. Previous investigations of Olmec creation narratives ; Patterns for the distribution of monumental sculptures ; A processional visual narrative --^
La Venta´s creation and origins narrative. An approach to visual narratives from preliterate societies ; The narrative stations (Station one: A womb with three fetuses ; Station two: A quincunx of thrones ; Station three: The dawning of human-maize ; Station four: The female sources of life : earth and water ; Station five: The bodiless heads ; Station six: The phallic column) ; Inserting politics into the creation and origins narrative ; Alternative reading orders ; Conclusions and questions -- A scattering of seeds. Assessing arguments for some major points ; Modes of communication ; Where did Olmec ideas go? ; Asking and answering the fundamental questions -- Appendix 1. La Venta monuments by format -- Appendix 2. Comparison of Mesoamerican creation and origins narratives -- Appendix 3. Shape-shifters and werewolves to were-jaguars : a brief chronology.
Rediscovering women and gestation in Olmec visual culture. A cradle of civilization ; Mesoamerica and its visual culture ; Early interpretations of the first known Olmec sculptures ; New questions in Olmec studies ; Is gender or gestation the compelling issue? ; How the book develops : content and methodologies -- The tale of the were-jaguar. The birth of the were-jaguar ; One were-jaguar or many deities? ; The first attempt to slay the were-jaguar ; The were-jaguar as a shamanic alter ego ; Monstrous congenital anomalies ; Pantheons of deities or symbols of vital forces? ; Shamanism in an ecological context ; The rebirth of the maize deity ; Signs of life -- The sowing and dawning of the human-maize seed. Images of the unborn ; The formative Mesoamerican embryo and its matrix of associations ; Ethnographic analogies ; Hollow babies ; A contemporary baby in a boat : Niñopa ; Conclusions about embryos, fetuses, and babies --^
Tracking gender, gestation, and narrativity through the early formative. The archaic period, 10,000 to 2000 BC : the beginning of visual symbols ; The initial formative, circa 1900 to 1400 BC ; The early formative, circa 1400-900 BC ; Fluctuations in visual culture during the initial and early formative periods ; Discussion : Maize technology. 1, Fermentation ; Discussion : Maize technology. 2, Nixtamalization -- La Venta´s buried offerings : women and other revelations. Topography and sources of stone ; Discovery, excavation, and chronology of La Venta ; Surveying La Venta´s visual culture through time ; Women and the unborn return to prominence --^
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