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Acting for the camera / Tony Barr ; with exercises by Eric Stephan Kline.

Por: Colaborador(es): Tipo de material: TextoTextoEditor: New York, NY : HarperPerennial, 1997Descripción: xi, 361 páginasTipo de contenido:
  • texto
Tipo de medio:
  • no mediado
Tipo de soporte:
  • volumen
ISBN:
  • 0060928190
  • 9780060928193
Tema(s): Clasificación CDD:
  • 791.43 B268a 1997
Contenidos:
[Pt.] 1: Acting. Film and stage : two sides of the same coin ; The development of film-acting styles ; The approach ; Acting defined ; Listening/sensing ; The character ; Focus and concentration ; Energy ; The emotions ; Spontaneity -- [Pt.] 2: Working on the role. Preparation ; Facts and conditions ; Imagination ; Learn the role--not the lines -- Station break -- [Pt.] 3: Tools. Rhythm and change ; Dynamics ; Movement ; The need ; Selectivity ; Personalization ; Animation and inanimate object images ; The nonsense exercise--unorthodoxy ; Comedy and drama from the actor´s point of view ; Cold reading and auditions ; Working with the director ; Working from the outside in--or not ; In a nutshell -- [Pt.] 4: The machinery of film and tape. Day one on the set ; The motion picture studio and the soundstage ; Some specifics of film ; Shooting a scene ; The television studio ; The multiple-camera show ; Stunts -- [Pt.] 5: The film/tape career. Beginning your career ; Film and television unions for actors ; The star ; Exercises for acting for the camera.
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Tipo de ítem Biblioteca actual Colección Signatura topográfica Estado Notas Fecha de vencimiento Código de barras Reserva de ítems
Libro Biblioteca Central Colección General 791.43 B268a 1997 (Navegar estantería(Abre debajo)) Disponible GEN 33409002780223
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[Pt.] 1: Acting. Film and stage : two sides of the same coin ; The development of film-acting styles ; The approach ; Acting defined ; Listening/sensing ; The character ; Focus and concentration ; Energy ; The emotions ; Spontaneity -- [Pt.] 2: Working on the role. Preparation ; Facts and conditions ; Imagination ; Learn the role--not the lines -- Station break -- [Pt.] 3: Tools. Rhythm and change ; Dynamics ; Movement ; The need ; Selectivity ; Personalization ; Animation and inanimate object images ; The nonsense exercise--unorthodoxy ; Comedy and drama from the actor´s point of view ; Cold reading and auditions ; Working with the director ; Working from the outside in--or not ; In a nutshell -- [Pt.] 4: The machinery of film and tape. Day one on the set ; The motion picture studio and the soundstage ; Some specifics of film ; Shooting a scene ; The television studio ; The multiple-camera show ; Stunts -- [Pt.] 5: The film/tape career. Beginning your career ; Film and television unions for actors ; The star ; Exercises for acting for the camera.

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