Postsocialism and cultural politics : China in the last decade of the twentieth century / Xudong Zhang.
Tipo de material: TextoSeries Post-contemporary interventions | Post-contemporary interventionsEditor: Durham, NC : Duke University Press, 2008Descripción: x, 346 páginas : ilustracionesTipo de contenido:- texto
- no mediado
- volumen
- 082234212X
- 0822342308
- 9780822342120
- 9780822342304
- 951.059 Z63p 2008
Tipo de ítem | Biblioteca actual | Colección | Signatura topográfica | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | |
---|---|---|---|---|---|---|---|---|---|
Libro | Biblioteca Central | Colección General | 951.059 Z63p 2008 (Navegar estantería(Abre debajo)) | Disponible | GEN | 33409002739864 |
Navegando Biblioteca Central estanterías, Colección: Colección General Cerrar el navegador de estanterías (Oculta el navegador de estanterías)
951.057 R586c 1997 China : superpotencia del siglo XXI? / | 951.058 S167t 1989 Trece días en junio : la matanza de Pekín / | 951.059 F432c 2001 China since Tiananmen : the politics of transition / | 951.059 Z63p 2008 Postsocialism and cultural politics : China in the last decade of the twentieth century / | 951.06 O49m 2005 Made in China : el despertar social, político y cultural de la China contemporánea / | 951.249042 H523Yk 1988 El último emperador : (autobiografía de Henry Pu Yi) / | 951.24905 P563b 2003 Between assimilation and independence : the Taiwanese encounter nationalist China, 1945-1950 / |
Incluye bibliografía.
Introduction: The cultural politics of postsocialism -- Part I. Intellectual discourse: national and global determinations -- The return of the politcal: the making of the post-Tiananmen intellectual field -- Nationalism, mass culture, and intellectual strategies in the 1990´s -- Postmodernism and postsocialist society: cultural politics after the ´New Era´ -- Part II. Literary discourse: narrative possibilities of postsocialism -- Shanghai nostalgia: mourning and allegory in Wang Anyi´s literary production in the 1990´s -- Toward a critical iconography: Shanghai, ´minor literature,´ and the unmaking of a modern Chinese mythology -- ´Demonic realism´ and the ´socialist market economy´: language game, natural history, and social allegory in Mo Yan´s The republic of wine -- Part III. Cinematic discourse: universality, singularity, and the everyday world -- National trauma, global allegory: construction of collective memory in Tian Zhuangzhuang´s The blue kite -- Narrative, culture, and legitimacy: repetition and singularity in Zhang Yimou´s The story of Qiu Ju.
No hay comentarios en este titulo.