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Architecture oriented otherwise / David Leatherbarrow.

Por: Tipo de material: TextoTextoSeries Writing mattersEditor: New York : Princeton Architectural Press, c2009Descripción: 303 páginas : ilustracionesTipo de contenido:
  • texto
Tipo de medio:
  • no mediado
Tipo de soporte:
  • volumen
ISBN:
  • 1568988117
  • 9781568988115
Tema(s): Clasificación CDD:
  • 720.1 L438a 2009
Contenidos:
Introduction: Architecture otherwise -- Performances -- Breathing walls -- Unscripted performances -- Materials matter -- Roughness -- Situations -- Table talk -- Sitting in the city -- Practically primitive -- Topographies -- Skylines -- Landings and crossings -- Space in and out of architecture -- Law of meander.
Resumen: ´Renowned writer and thinker David Leatherbarrow argues for a richer and more profound, but also more rational, way of thinking about architecture, namely on the basis of how it performs. Not only how it functions, but how it acts, ´its manner of existing in the world,´ including its effects on the observers and inhabitants of a building as well as on the landscape that situates it. In the process, Leatherbarrow transforms our way of discussing buildings from a passive technical or programmatic assessment to an active and engaged examination of the lives and performances of buildings, intended and otherwise.´--BOOK JACKET.
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Tipo de ítem Biblioteca actual Colección Signatura topográfica Estado Notas Fecha de vencimiento Código de barras Reserva de ítems
Libro Biblioteca Central Colección General 720.1 L438a 2009 (Navegar estantería(Abre debajo)) Disponible GEN 33409002588626
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Introduction: Architecture otherwise -- Performances -- Breathing walls -- Unscripted performances -- Materials matter -- Roughness -- Situations -- Table talk -- Sitting in the city -- Practically primitive -- Topographies -- Skylines -- Landings and crossings -- Space in and out of architecture -- Law of meander.

´Renowned writer and thinker David Leatherbarrow argues for a richer and more profound, but also more rational, way of thinking about architecture, namely on the basis of how it performs. Not only how it functions, but how it acts, ´its manner of existing in the world,´ including its effects on the observers and inhabitants of a building as well as on the landscape that situates it. In the process, Leatherbarrow transforms our way of discussing buildings from a passive technical or programmatic assessment to an active and engaged examination of the lives and performances of buildings, intended and otherwise.´--BOOK JACKET.

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