Imagen de portada de Amazon
Imagen de Amazon.com

Typography papers.

Colaborador(es): Tipo de material: TextoTextoEditor: London : Hyphen,., 2007-Descripción: volumen : ilustracionesTipo de contenido:
  • texto
Tipo de medio:
  • no mediado
Tipo de soporte:
  • volumen
ISBN:
  • 0907259332
  • 9780907259336
Tema(s): Clasificación CDD:
  • 686.22 T991a 2007-
Resumen: ´Typography Papers´ is an occasional book-length publication with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Number 7 presents an eclectic collection of articles beginning with a lengthy consideration by type historian H. D. L. Vervliet of Claude Garamond: the designer whose new roman typefaces debuted in Paris in the 1530s and went on to dominate Western typography for the next two centuries. The late Justin Howes looks at the eighteenth-century belief in the necessity of perfection in type and printing. Eric Kindel discusses a nineteenth-century scheme for univeral letters. Sue Walker writes on twentieth-century typefaces designed for reading by young children. The issue concludes with Linda Reynolds´s eyewitness account of pioneering work in legibility research in the 1970s and 1980s.
Etiquetas de esta biblioteca: No hay etiquetas de esta biblioteca para este título. Ingresar para agregar etiquetas.
Valoración
    Valoración media: 0.0 (0 votos)
Existencias
Tipo de ítem Biblioteca actual Colección Signatura topográfica Copia número Estado Notas Fecha de vencimiento Código de barras Reserva de ítems
Libro Biblioteca Central Colección General 686.22 T991a 2007 (Navegar estantería(Abre debajo)) v. 7 Disponible GEN 33409002319394
Libro Biblioteca Central Colección General 686.22 T991a 2007- (Navegar estantería(Abre debajo)) v. 9 Disponible 33409002875759
Total de reservas: 0

Incluye bibliografía.

´Typography Papers´ is an occasional book-length publication with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Number 7 presents an eclectic collection of articles beginning with a lengthy consideration by type historian H. D. L. Vervliet of Claude Garamond: the designer whose new roman typefaces debuted in Paris in the 1530s and went on to dominate Western typography for the next two centuries. The late Justin Howes looks at the eighteenth-century belief in the necessity of perfection in type and printing. Eric Kindel discusses a nineteenth-century scheme for univeral letters. Sue Walker writes on twentieth-century typefaces designed for reading by young children. The issue concludes with Linda Reynolds´s eyewitness account of pioneering work in legibility research in the 1970s and 1980s.

No hay comentarios en este titulo.

para colocar un comentario.

Con tecnología Koha